The brainchild of German songwriter, singer and rhythm guitarist Silvi Wersing, London-based noise pop quartet Chorusgirl blend the shimmering dreaminess of 4AD bands like Lush, the noir pop of The Cure and the bittersweet electricity of The Breeders with songs that sparkle with melody and pop nous but are stealthily subverted by something darker.
After several years playing in bands that either split up or fizzled out, fed up with being someone else’s bassist and feeling like the eternal chorus girl to other people’s dreams, Silvi Wersing decided to strike out on her own. Naming her own band with a heavy dose of irony, she recruited Udo Westhoff (bass), Michael Boyle (drums) and Diogo Oliveira (lead guitar) to flesh out the demos she had made on her laptop.
Dig beneath the surface of Chorusgirl's perfect pop songs and you’ll find heavy lyrics about saying goodbye, giving up, grief, alienation and loneliness. It’s all deliberately coded though, shrouded in the metaphysical poetry that Silvi does so well. As she explains, “Most things in life are complex, so lyrics should be too. I like subversion and the non-obvious. Like the best kind of horror films.”
Chorusgirl breathe new life into guitar pop, reinvigorating the genre with fresh hooks and sharp-edged songs full of heartache, anger and grit. No longer the eternal chorus girl to other people’s dreams, Silvi Wersing is creating the soundtrack to her own – and perhaps her nightmares too.