Fortuna POP! are proud to present Ten Songs about Girls, the new album from Tender Trap. Over the course of its ten vignettes on being female in this day and age it taps into larger questions about love, death, gender politics and the nature of existence, all delivered with a huge dose of humour, joy and warmth.
Ten Songs About Girls is Amelia & Co’s most complete-sounding effort yet, filled to the brim with resounding backing vocals and glorious fuzz. The album’s artwork comes in green, purple and white ¬– the suffragette colours, sharing the original feminists’ concern for aesthetics as well as politics. With three strong female voices on the record, sometimes harmonizing, sometimes calling and responding, sometimes singing alone, Tender Trap draw on the dynamics of the original girl group songs, but aim to show what happens when those girls aren’t in thrall to the male Svengali.
NEW SHRAG SINGLE "DEVASTATING BONES" FROM CANINES LP
Taken from the band’s third long-player Canines, Shrag’s new single “Devastating Bones” is out on 10 September. Heralding them as one of the most exciting British bands around, “Devastating Bones” is a sordidly salacious stomper, fizzing with energy and raw emotion.
Shrag’s Bob Brown says this about the song: "I wanted to do a glam song. A proper, chant-along, fist-punching glam song. I was born in the epicentre of glam rock - Wolverhampton, so it seemed a natural thing to do. Of course in the end it sounds like a Shrag song but that's a good thing too! And it's possibly the only pop song in history to mention the word 'Ischium'".
Helen King, the band’s lyricist, describes “Devastating Bones” as; “a filthy song about lust and summer, and wanting someone with a weaker mind than oneself”
The album Canines stalks new territory for Shrag, broadening their spectrum of sound with a high quality production that encompasses such influences as ESG, Chic and New Order. Recorded at Gargleblast Studios with producer Andy Miller (Life Without Buildings, Mogwai, Sons and Daughters), Canines is a visceral pop record bristling with urgency, melody, and danger, and is the sound of a band fully in their stride.
The album has garnered praise from the likes of NME (8/10), The Music Fix (9/10), Neon Filler (9/10),The Financial Times, Uncut, Artrocker, the BBC, This is Fake DIY and Drowned in Sound.
Here’s what some of them said:
"A feisty offering which showcases some great songwriting" 8/10 - NME
"Real, instant pop albums like this only come along once every three or four years. This time it's Shrag's turn." - A Layer Of Chips
“...musically, thematically and stylistically, this is a band that subverts expectations.” - BBC
“Canines is a taut, exhilarating, tour-de-force.” – This is Fake DIY
Allo Darlin' are all set to release the superbly jangly “Northern Lights” on limited edition orange vinyl and download on the 1st October. The third single to be taken from Allo Darlin’s second album ‘Europe’, it's written about a New Year’s Eve spent in Sweden and somehow manages to imbue a wintery scene with a sweet breath of sunshine as Elizabeth Morris’ voice rings out clear as a bell and Paul Rain’s guitar melodies shine brightly.
It’s backed by “Golden Age”, a B-side which seems to exist simply to prove that Allo Darlin’ have super-catchy melodic pop gems to burn. In any other band’s hands this might be a single rather than tucked away as the flip of the third single from the album, but then it’s this kind of willful perversity that makes Allo Darlin’ so very special!
The single is available to order direct from us now, or you can buy it from the band themselves on their current UK tour:
7 Sep Deaf Institute, Manchester tickets
8 Sep Kazimier, Liverpool tickets
9 Sep Blackburn Art College, Blackburn 1.45PM SHOW / ALL AGES / FREE ENTRY!
10 Sep Brudenell Social Club, Leeds tickets
12 Sep The Haunt, Brighton tickets
13 Sep King's College, London tickets
The Pipettes are back with Boo Shuffle a super fun single resplendent with its own dance routine that zaps them right back to their polka-dotted girl group roots and the fifties / sixties retro vibe that made their name. One of the last songs to be produced by the legendary Martin Rushent (The Stranglers, Shirley Bassey, Altered Images, The Buzzcocks and, most famously, the Human League’s ‘Dare’) before his untimely death earlier this year, Boo Shuffle fizzes with energy and is sure to put the band right back in the hit parade where they belong.
Singer Ani Saunders says, “The song’s named after my shuffling hamster Boo (RIP) and more or less represents exactly what The Pipettes are about (the song that is, not the hamster). We like to sing pop songs, we like to dance, and we like to have a good time. It’s got dance moves and directions, and it's the perfect opportunity for everyone to have fun and let go a little. Let's face it, it's pretty gloomy out there at the moment and this song always lightens the mood.”
The B-side is a remix by Martin Rushent, who the band are devastated to have lost, having grown close to him and his family during the recording of their album at his home studio. Famed for the album 'Love And Dancing', a remix reinterpretation album of the Human League's 'Dare' which changed dance music forever, this remix was to have been the start of his second such project, an album of remixes of 'Earth Vs The Pipettes'. As Ani says, “It was an honour and a privilege to have worked with Martin. This single is a tribute to him and a big thank you to the whole Rushent family.”
Already a huge live favourite with the band’s fans, Boo Shuffle comes complete with a dance moves video made with London’s all girl 60s dance troupe The Actionettes and is odds on to be the number one dance song at parties across the land this Christmas. Ladies and gentlemen, it’s time to do the boo shuffle!
14th December Sound Control, Manchester tickets
plus support from The Projectionists (riot Becki's new band)
Sir Darren Hayman releases a new limited edition 10" EP featuring I Taught You How To Dance, the stand out track from The Ship’s Piano, a beautiful, sweet and non-ironic love song. Darren describes it as his cruise ship song, a song suitable for weddings and 1980s teenage discos, like 'Red, Red Wine.' Expertly embellished by Steve Pretty’s mournful trumpet, the song sounds even better when played with a glitter ball in the room.
The EP also contains covers of Come Dancing by The Kinks, I Don't Wanna Dance by Eddy Grant and Dance Away by Roxy Music. Asked why he chose these particular songs Darren replied, “These are the tunes that would drift over my school playground from the 6th formers' social club. It's hard to imagine how cool and exotic these songs sounded to me as a 13 year old. 'Come Dancing' in particular is a much sadder intelligent song than it appears on first inspection. The truth is that songs that are good to dance to, don't have the word 'dance' in the title. Songs that have the word 'dance' in the title are usually heartbreakers.” Listen out for Nik Vestberg of Moustache Of Insanity playing Gameboy on Come Dancing!
The Butterbean Crypt EP is a special Halloween release from Cinema Red and Blue, an indiepop supergroop featuring members of both Comet Gain and Crystal Stilts. Strictly limited to 500 copies on 10” vinyl, it’s pressed on spooky black and white marble effect vinyl. Lead track Walkin’ To The Cemetery is a Cinema Red and Blue original that comes on like a Nuggets garage original, replete with 60s organ and scary screams. The EP also contains two covers, with versions of Beau Brummels’ psych-pop classic Gentle Wandering Ways and the sixties folk obscurity As Pure As The Freshly Driven Snow by Whistler Chaucer Detroit & Greenhill. The EP is rounded off another original Memory Grave (Recalled From The Crypt).
Led by songwriter David Feck, Comet Gain have released a string of critically acclaimed records on Kill Rock Stars, Track & Field and What’s Your Rupture?, with albums such as Réalistes, City Fallen Leaves, singles collection Broken Record Prayers and, in June of this year, Howl of the Lonely Crowd, establishing the band as one of the most fearlessly passionate and fiercely intelligent British bands around.
Crystal Stilts burst out of Brooklyn's storied post-punk indie scene in 2008 with a string of releases that culminated in their fantastic debut album Alight Of Night, deftly combining the spooked 60s Texas psych of 13th Floor Elevators and Red Crayola, the gothic blues/punk howl of Gun Club, the dark, experimental DIYism of early Flying Nun/Xpressway groups and a dash of classic 60s pop by way of early Jesus & Mary Chain. Their critically acclaimed second album In Love With Oblivion was released on Fortuna POP! earlier this year.
Together as Cinema Red And Blue they’ve released one album to excellent reviews (“a knowing and affecting power-pop record about the foibles of loving records too much” – Pitchfork). Now with this Halloween EP they’re set to strike fear into the hearts of all. Be afraid, be very afraid!
You can download Walkin’ To The Cemetery for FREE here.
Everyone's favourite vegan folk-rock frenchies Herman Dune return with a new single and video for Be A Doll And Take My Heart from their critically acclaimed album Strange Moosic album.
The album Strange Moosic is still available from us in three formats - standard jewel case CD, deluxe vinyl LP and limited edition book-style CD. All three formats come with fantastic artwork including lyrics, guitar tab and drawings by David-Ivar Herman Dune.
You can download Tell Me Something I Don't Know from the album for FREE here.
Darren Hayman continues one of his busiest years with a brand new solo album of subtle, drifting piano ballads called The Ship’s Piano, available as deluxe fold out card sleeve CD or vinyl LP with free download.
Darren says of the album:
“In November 2009, I had this thing happen to me, where I ended up in hospital with a fractured skull. For a few months I felt constantly dizzy and was diagnosed with some deafness in one ear. Sharp, loud noises bothered me greatly. I was told to rest and do nothing; but who knows how to do that?
“Music always helps when I’m ill, so I started to make the simplest, quietest music to help me recuperate. I tried to make the music that I wanted to hear, which is perhaps what we should always do, but in this case there was a direct therapeutic need.
“I avoided any jagged edges. I kept imagining the sounds I wanted as round and smooth, like well-worn pebbles.
“Lyrically, I also found myself eschewing conceptual and metaphoric character-led songs. I started to write the simplest and most direct words in the first person, something I have avoided for a few years.
“If you are a songwriter and something bad happens to you, people say, “You can write a song about it at least.” They mean well, but the big events in life have to seep out gradually with me and not in urgent, confessional bursts. The songs on this record are pleas for calm. As I get older I find I prefer small, quiet things.
“All the songs were written on my ship’s piano. ‘Ship’s Piano’ is a colloquial term given to small-scale pianos that were used on boats. Mine was built in France in 1933 and folds away to resemble a sideboard. I wrote a song where I imagine its history. It’s called ‘The Ship’s Piano’.”
You can download the title track of the new album for FREE here.
Over the course of some sixteen years and six remarkable albums, The Ladybug Transistor have confirmed their standing as the preeminent exponents of lush, formalist pop music. With a superlative new record, Clutching Stems, at the ready, their pursuit of a singular musical vision remains as true as ever.
Their new release, Clutching Stems, is a stunning collection of potent refrains and brought-to-one's-knees ballads. As ever, Olson is in fine form; here, his lyrics compel, detailing an overarching search to find one's voice in the face of moments that knock the wind and words right out of a person. These are stories of humbling heartbreak, profound longing, undoing distress, nagging regret, and coming-of-age awakenings-all set to invigorated pop arrangements featuring backing vocals by Frida Eklund. The new Ladybug line-up has found its own distinct vernacular that honours diverse influences and the band's own precedent sound.
Clutching Stems assuredly underlines that while love can tear things apart, it can also capably mend them together once more. And, in doing so, it reminds us again of the band's magic: The Ladybug Transistor make music that is somehow both modern and timeless, universal and yet theirs alone.
Clutching Stems is available to order direct from us now on both CD and vinyl LP.
Check out the video below of Gary Olson playing Oh Cristina from the new record, accompanied by our old mucker Darren Hanlon, somewhere on a beach in Spain.
EVANS THE DEATH - DEBUT SINGLE, LIMITED TO 500 COPIES
Fortuna POP!'s latest signing Evans The Death make frenetic and infectious punk pop which exudes the kind of unbridled charisma, intelligence, and runaway energy that promises a singularly exciting future for the band.
Their debut single, the double A-sided 'Threads’ / ‘I’m So Unclean’, was produced by Rory Bratwell (Test Icicles / RAT:ATT:AGG / KASMs), and couples latent-cold-war-paranoia love-song 'Threads', as urgent, unsettling, and hook-laden a calling card as could be wished for, with “I’m So Unclean”, wherein singer Katherine Whitaker's vertiginous, primal, and urgent vocal delivery electrifies lyrics which alternate between the scathingly acerbic and the boldly fragile: "When I'm watching the shopping channel, I will think of you / when I try to get to sleep, I will think of you...''
'Threads’ / ‘I’m So Unclean’ is available now from us as a limited edition white vinyl 7" single, PARTLY MADE FROM GOLD. Check out too Ian Galloway's ace video for "Threads", below.
COMET GAIN - AN ARCADE FROM THE WARM RAIN THAT FALLS
Comet Gain release a single version of "An Arcade From The Warm Rain That Falls" from the smash hit album "Howl Of The Lonely Crowd", with two exclusive B-sides, a cover of Carla Thomas' "Take It To My Baby" from the West Heath album sessions with Edwyn Collins, Ryan Jarman and Seb Lewsley and "You're Just Lonely" from the album sessions with Brian O'Shaunghessy and Alasdair Maclean of The Clientele at Bark Studios.
HOWL OF THE LONELY CROWD - THE NEW ALBUM BY COMET GAIN
Howl of the Lonely Crowd represents the fruition of the affection with which Comet Gain are held: recorded and produced by British musical icon Edwyn Collins, and Ryan Jarman of The Cribs, Brian O’Shaughnessy (My Bloody Valentine, Primal Scream) and Alasdair Maclean of The Clientele, who also contributed guitar, the record captures a band fully in their stride and able to realise their full potential.
Suffused with longing, love, and defiance, Howl of the Lonely Crowd documents and dissects this English melancholy with a rare self-assurance. The songwriting here is of the kind that only Comet Gain can really pull off - perfectly pitched evocative pop, redolent of all that is rich, gorgeous, and uncompromising about the meeting between punk and sixties soul, and imbued with a particular streak of violence and urgency which the band have now refined into a complete and elegant aesthetic.
Howl of the Lonely Crowd is the soundtrack to lives spent dedicated to seeking out the outposts of pop culture, an immersion that asks no reward beyond the music itself. On this record, with the patronage of their esteemed friends, acolytes and collaborators, we find one of the most treasured and exhilarating British bands around in full realization of their creative capacities.
"The sound of a focused Comet Gain, ambitious but successful, their many influences – musical, cinematic and literary - refracted though the prism of Feck’s tortured romantic troubadour to produce canonical English indiepop. Wonderful." - SoundsXP
"One of the most heart-stoppingly romantic bands on the planet" **** - The Fly
"If British indiepop could in any way be compared to the world of organised crime then Comet Gain's David Feck could well be its Godfather. He's in untouchable form here" 8/10 - Clash
"A very special release indeed" 9/10 - Subba-Cultcha
"A delicately beautiful, supremely angry and unmistakably British affair" 9.5/10 - Soundblab
"These pure, poetic songs advance their euphoric yet melancholy quest for improbable romance" **** - Uncut
"The antidote to all the mawkish and sentimental indie of late... will be stuck on repeat for months" **** - Artrocker
In Love With Oblivion is the new album from Crystal Stilts, stretching things further from their critically acclaimed debut, honing their songcraft, indulging their more strung-out sides, full of elliptical verses and perfectly chiming guitars, cranky pop organs and the punkest of rhythms.
It's a perfect blend of pop smarts and beguiling experiment. The best songs on In Love With Oblivion are effortless, rapturous - "Through The Floor" burns on fevered energy; "Silver Sun" kisses the air with a beautiful stream of jangle guitar; "Alien Rivers" is a spooked, psychedelic requiem. "Precarious Stair" is the best girl-pop-song-not-actually-fronted-by-a-girl since "Just Like Honey".
A buzzing organ, some slack-strung guitars, a clutch of Moe Tucker dreams and some black tambourines rarely sounded this alive. The CD comes as a digipak; the vinyl LP is packaged in a gorgeous gatefold sleeve and comes with a code for a free download.
"Welding shimmering melodies to joyous nihilism, the Brooklyn noise-poppers' second shines, darkly" NME (8/10)
"Thrillingly transcendent... even the song titles sound like great bands from the future" Q (4/5)
"A selection of beautiful pop songs that recall Bowie, The Byrds and Joy Division - albeit shrouded in menace, reverb and the achingly dry baritone of frontman Brad Hargett. Terrific stuff." The Fly (4/5)
"Brooding garage with a classic retro sound... there's something strangely familiar, thrilling and addictive about this LP" Loud & Quiet (8/10)
Download Through The Floor from the album for FREEhere.
BELONG - THE NEW ALBUM FROM THE PAINS OF BEING PURE AT HEART
On the heels of their debut eponymous album, released in 2009, Brooklyn quartet The Pains of Being Pure at Heart have rightfully earned themselves a reputation as masters of the peerless pop song, crafting tender, melancholy gems which shimmered and sighed with the wistful promise of new love, casting a spell over listeners and critics alike.
Which brings us to “Belong”. For this, their second album, The Pains of Being Pure Heart have recruited the services of master producer Flood and renowned mixer Alan Moulder. Only a few seconds into the title track and it makes perfect sense. Having worked with the legendary likes of My Bloody Valentine, U2, Smashing Pumpkins and PJ Harvey between them, they have opened up the band’s beautifully self-contained sound and made it vast and magnificent, with heretofore unmapped widescreen dimensions.
Everything seems more vivid, more lush and spacious now; the emotion heightened, more potent. The majestic “The Body” gallops along and goes deeper, darker than they ever have, painting a bleak portrait of decaying relationships, “Too Tough” is one of the most wrenching, yearning songs they’ve written to date, while previous single “Heart In Your Heartbreak”, with its handclaps, infectious chorus and late-breaking synth stabs, sounds like the very essence of bittersweet romance. The new single meanwhile, is also the title track, and sounds positively anthemic, with buzzsawing, Smashing Pumpkins-circa-Gish guitars slicing intermittently through Pains’ beautifully jangling wall of noise.
Taken in total, it adds up to a glorious vision of The Pains of Being Pure at Heart – vibrant and expansive, more muscular and complex to be sure, but without losing any of their fragile beauty and inimitable charm.
Dancepunk five-piece Bearsuit have unleashed their eagerly anticipated album The Phantom Forest. The 12-track long-player heralds a fierce new sound for the band, who have swapped violins, flutes and horns for dirty synths, urgent guitars and infectious beats in the light of a dramatic line-up change. With a sprinkling of sonic dust from big-time producer Gareth Parton (The Go Team, Breeders, Foals) the band have created a perfectly off-the-wall pop masterpiece.
The Phantom Forest is laden with dance-floor fillers, killer beats and brazen melodies. It will keep you dancing until all the booze is drunk, with a birdsong finale to serenade your dawn-walk home. But lurking beneath, a more sinister and melancholy thread weaves the 12 tracks together.
Songwriter/guitarist Iain Ross explains: “The album’s theme starts with a train crash in a phantom forest. The surviving passengers have to re-establish a new kind of society, cut off from everything else, beset by dangerous creatures and mythical beasts. Underneath the shiny pop surface, the tracks are riddled with self-doubt and fear, with the characters constantly trying to escape their situation. They have to re-discover the point of their existence, which I guess is what we had to do as a band after our line-up change. We’ve found a new way of writing and playing songs.”
Beset by their own dangers, Bearsuit have survived to make the best album of their career. With a new rhythm section on board they have reinvigorated their sound - punctuating the songs with more urgency, but without losing their pop sensibilities and unaffected charm.
With their first new recordings since 1992, The Primitives are back with a fantastic new record, the Never Kill A Secret EP. With a new lease of life after successfully touring the UK in 2010, the band decided to write and record some new material. The four tracks on the new EP include the fuzzified girlpop stomper of the lead track “Rattle My Cage” and the cute little Velvets-y heart-melter “Never Kill A Secret”, along with two covers, Suzi Jane Hokom’s Lee Hazlewood-penned “Need All the Help I can Get” and Toni Basil’s Northern Soul classic “Breakaway”. March also sees the band embark on a full UK tour.
Fronted by indiepop blonde bombshell Tracy Tracy, The Primitives emerged from the independent scene of the mid-80s that spawned The Jesus and Mary Chain, My Bloody Valentine, The Wedding Present and Primal Scream. Their sound distilled the shimmering guitar jangle of the Byrds, the buzzsaw style of The Ramones and 60\'s girl group melodies into two and a half minute pop gems. Regular session guests on John Peel’s radio show, with many an appearance in his Festive Fifty, their career was boosted / hindered when Morrissey named them as one of his favourite bands.
A widely acclaimed first album, Lovely, made them the UK’s indie darlings, while the huge success of the single \'Crash\' saw them cross over to a mass audience. Further chart success followed, along with two more studio albums, Pure and Galore, plus extensive tours of Europe and the US, before the band called it a day in 1992. Guitarist Paul Court and drummer Tig Williams continued to work together on various musical projects throughout most of 1990s, while Tracy contributed vocals to Band of Holy Joy amongst others, and also recorded with several outfits working in the dance music field. In 2008, Mojo Magazine voted the Primitives’ second single “Really Stupid” one of the Top 40 UK indie singles of all time.
The band were reunited in 2009 by the untimely passing of their original bass player Steve Dullaghan, reforming to play a show in his memory later that year in their home town of Coventry; their first show together for 17 years. Bolstered by its success they went on to tour the UK in April 2010, receiving a rapturous response, followed by a headline slot at the Indietracks festival and shows in the US and Spain.
You can download Need All The Help I Can Get from the EP for absolutely FREEhere.
Revolver by The Beatles, Nevermind The Bollocks Here’s The Sex Pistols and Oasis’ Definitely Maybe – The Loves new LP …Love You is shorter than all of these AND it’s got a member of the Velvet Underground as the voice of Jesus on it.
This, The Love’s final LP before they call time on ten tawdry years at the top on Valentine’s Day 2011, was recorded at Soup Studios underneath East London’s Duke Of Uke shop, as were their last two albums Technicolour and Three. Rejected LP titles included “So Long Fuckers”, “What?” and “The Pains Of Being Poor Through Art”. It was mixed and mastered by Rob Jones of The Voluntary Butler Scheme fame and is as shiny a pop record you will hear this year (… made on this budget, anyway!)
Lead single “December Boy” has real live violins on it and a wall of backing vocals from Emma Hall of Pocketbooks and former Love (now head of The School) Liz Hunt with whom Simon wrote the stomping number, “That Boy Is Mine”. Elswehere Nathaniel Mayer’s 1966 soul single “I Want Love and Affection (Not The House Of Correction)” gets a Loves overhauling and made into a Merseybeat thing complete with caterwauling “singing”, nasal backing vocals and incessant handclaps.
“O! My Gawd” features Mindy from the American group Still Flyin’ on vocals in what is The Loves version of hip-hop – you’ve been warned. The debt to Tom-Tom Club is acknowledged in the backing vocals. The Stones-y ballad “I Lost My Doll To Rock’n’Roll” is the only song not to be recorded at Soup, as any version attempted could not capture the feeling of Simon’s original 8-track demo. The Loves go Led Zeppelin (sort of) on “King Kong Blues” with squally guitars & a “wep-weh-dow” guitar lick much loved by people who love Jimi Hendrix (Of which Simon Love is not one).
Doug Yule from The Velvet Underground is the voice of Jesus’ answer-phone on “It’s…The End Of The World” another song (like opener “WTF? or How I Realised I’d Wasted My Life”) about coming to terms with the fact that you’ll never amount to anything and is based on Simon’s one and only acid experience; “I thought when I took it I’d get some sort of cosmic answer but instead I got depressed and I thought I’d cut my hair because I found a pair of scissors with a single strand of hair next to them,” says the singing idiot. Producer Simon Trought contributes the Brian May harmony guitar solo at the end of the song.
The LP closes with a cover of comedian Jake Yapp’s “The Very Stars Were Meant For Us”, a song Simon first heard late one Sunday night on BBC 7 as he was drifting off to sleep and it serves as a short pick-me-up after the depressing futility of “It’s…The End Of The World”
This is The Loves’ final LP because…just because.
"Zesty psychedelic pop music filtered through The Loves own special brew of Kool Aid" - Artrocker (Album Of The Month)
Download "December Boy" for FREE here and watch the last ever Loves video for "It's... The End Of The World" below.
Milky Wimpshake's new album My Funny Social Crime is available to order NOW from Fortuna POP! on CD.
A potent mixture of fizzing pop tunes, punk attitude and protest folk have made Newcastle's indiepop anarchists Milky Wimpshake one of the UK’s best loved bands and the new album delivers in every way.
Obvious pop hits include previous single One Good Use For My Heart, a heartfelt ode to remaining in love; the insanely catchy Cherry Pop; and a duet with Amelia Fletcher (Talulah Gosh, Heavenly, Tender Trap) on Eyeball To Eyeball. And if there are less politics on this album than previous efforts Pete gives it both barrels on Murder In London. As well there are two covers that show the breadth of the band’s influences in The Monitors’ Motown classic Share A Little Love With Me and a version of Riot Grrrl band Kicking Giant’s “Fuck The Rules”.
While most songs adhere to the classic Milky Wimpshake sound – buzzsaw guitar (think Ramones, Buzzcocks), simple bass, garage-y drums, throwaway humorous lyrics – there are moments of real tenderness in Itchy Feet On A Tuesday Night, Patchwork and Changing Shape.
My Funny Social Crime is an album chockfull of great pop tunes played with heart - one for fans and those new to the band alike.
"They've never sounded more gloriously life-affirming. An instantly brilliant indie-pop classic. Utterly unmissable" Soundblab (9/10)
"As you hit play it wraps it’s arms around you in a big bear hug and won’t let go! A very satisfying listen indeed." Punk Rock Ist Nicht Tot (8/10)
"A record that'll warm your cockles whenever your cockles need warming" Artrocker (4/5)
"Probably their best album yet. By the time Amelia Fletcher comes along and duets on 'Eyeball to Eyeball', you think just about anything's possible." A Layer Of Chips
Darren Hayman and the Secondary Modern's album "Essex Arms" is out now and available direct from us on CD and vinyl + free MP3 download, all orders coming with a limited edition hand stamped "Essex Arms" beermat.
The album's had some amazing reviews:
"Hayman's post-Hefner peak"Uncut (4/5)
"Shouldn't Hayman have won some sort of award by now?"Stewart Lee, The Sunday Times (4/5)
"One of our great underrated songwriters"Artrocker (5/5)
"Another wittily observed winner from the Dazzler"The Stool Pigeon (4/5)
Also available is a four song 7" EP featuring Darren's duet from the album with Emmy The Great "Calling Out Your Name" plus three previously unreleased and exclusive tracks. You can download the song for FREEhere.
Since the release of "Essex Arms" Darren has mainly been lazing around doing nothing. Just kidding. In January he recorded a song and made an accompanying video every day, documenting the process with drawings and a video diary for his January Songs project.
You can watch the video for "Winter Make You Want Me More", the third single to be taken from "Essex Arms", below.
The Pipettes second album, Earth Vs The Pipettes is out now and available on both on CD and vinyl + download. Produced by the legendary Martin Rushent, the semi-retired producer of The Stranglers, Shirley Bassey, Altered Images, The Buzzcocks, and, most famously, The Human League’s ‘Dare’, it was written with the idea of imagining what a disco in space would sound like, an exploration of what might happen if all the genres and styles that have set the dance floor going for the last fifty years were loaded onto a rocket and fired into the stars.
What would Motown’s transition as Marvin Gaye and Diana Ross started to veer into Philly Soul and the emerging compositions of Larry Levan sound like if that development had happened on Mars? (Answers: I Vibe U; I Always Planned To Stay). What would the disco divas and social misfits of the Seventies be listening to if Studio 54 existed on a giant space station orbiting Saturn? (Answers: From Today; Stop The Music). How would the motorik Euro pop of the Eighties such as The Human League and Stock, Aitken and Waterman translate they lived on some cool planet we'd never heard of? (Answers: Call Me; Thank You).
A pure pop album, leaving behind the realm of the three female harmony girl-group for the unison girl pop of Abba and The Pointer Sisters, moving towards the sounds of Chic-inspired seventies disco and eighties chart music, Earth Vs The Pipettes is chock-full of classic influences and killer pop songs, the kind of album that major labels struggle to make with teams of producers and writers.
Tender Trap's latest album "Dansette Dansette" is available now as a CD digipak and a vinyl LP + MP3 download. Their 6music smash 7" single "Do You Want A Boyfriend?" is also available on limited edition white vinyl. Trap fans in the US of A and Canada are directed towards that damn fine label Slumberland Records to make their purchases.
Title track "Dansette Dansette" kicks of the long player in fine fashion, morse feedback bleeps leading into a melodic ode to the bedroom record player. "Girls With Guns" and "2 To The N" are more punk-inspired, hearkening back to Amelia's Talulah Gosh roots, while single "Do You Want a Boyfriend?," celebrates the girl-pop phenomenon, but deconstructs it, too. Slower tunes like "Suddenly" and "Counting The Hours" give plenty of room for Amelia's vocal interplay with Elizabeth and Katrina, and "Capital L" wraps up the album in epic fashion, a tambourine-driven slow-dance which builds to a glorious crescendo. With two extra girl voices the band now combines the harmonies, oohs, ahs and sha-la-las of classic girl-pop with the stripped down beats and dirty guitars of the Shop Assistants and The Vaselines.